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One thing I apparently like looking at is an industrial robot twirling around Serbian artist Dragan Iliclike a parade baton, which (conveniently enough) is the basic premise of his project DI-2K4.
In it, a robot previously used in factory production takes Ilic and his paintbrushes around a large canvas in a preprogrammed route, allegedly imitating “both the repetitiveness involved in technological production, as well as representing a new stage of ritual or transgressive experiences of the author himself.”
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